Abramoramas Richard Abramowitz Elevates Karol Martesko-Fenster To CEO/Co-Chairman & Evan Saxon To Intl Distribution President

EXCLUSIVE: Abramorama founder Richard Abramowitz has elevated longtime business partner Karol Martesko-Fenster to CEO and Co-Chairman of the indie distribution company. Evan Saxon has been promoted to President, Head of International Distribution, in a move meant to double down on their continued emphasis on social impact and music driven content for theatrical and event releases globally. Abramowitz continues as C-Chairman atop the company he founder in 2002.

“Karol, Evan and I have worked closely together for years, with their partnership driving unparalleled results in the Event Cinema world,” Abramowitz said. “Their decades-long experience in the in the music and social impact film genres makes me confident that they will take the company to the next level and continue to dominate, innovate, and lead the way as the industry continues to evolve.”

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Martesko-Fenster will lead the company expanding its footprint and partnerships in the filmed entertainment sector while bolstering the strategic services to filmmakers and IP owners across all platforms. Martesko-Fenster will accelerate the integration of emerging technologies and novel release modalities and run point on culturally relevant and social impact driven documentaries. Saxon, operating out of Los Angeles, will lead music-centric engagements, Direct-To-Consumer campaigns, and international theatrical distribution and marketing activities.

Over the past nine years at Abramorama, Matresko-Fenster has championed the “event viewing” model, reaching beyond cinemas to create bespoke offline and online screening events including The Library That Dolly BuiltHerb Alpert Is, Parkland Rising, and Roberta Grossman and Nancy Spielberg’s Who Will Write Our History. For the latter, he conceived and implemented  a 12 language, 355 screen, 55 country screening, and global Facebook LIVE event from the UNESCO headquarters in Paris, France, simultaneously connected with The United States Holocaust Museum, in Washington, D.C., The Museum of Tolerance in Los Angeles, and the Auschwitz concentration camp in Poland. He previously led the film divisions at Michael Cohl’s S2BN Entertainment and Chris Blackwell’s Palm Pictures and has produced over three dozen award-winning films. He also founded and launched several movie mags, including our sister pub IndieWire.

“For decades, I’ve said that Karol has been a fearless innovator who has transformed our industry with his foresight as a leader,” Abramowitz said. “His clear-vision, unchallenged ability to execute, and acumen as a collaborator made him the natural choice to take the reins in this new era at Abramorama. He’s a born connector and has earned the respect and trust of the entertainment industry around the world. I’m confident that with Karol’s leadership, Abramorama is perfectly positioned to maximize its opportunities in the rapidly shifting world of multi-platform media distribution.”

Saxon has navigated both the music and film worlds. He began his career working at IRS Records and Capitol Records and then started his own marketing and artist development company, working with Sting, Ramones, B.B. King, Pantera, Lucinda Williams, Weezer, Los Fabulosos Cadillacs, among others.  Universal Music got him to lean into creating music content in cinemas. This led to Saxon being at the forefront of Event Cinema with his own company, theatrically distributing films from such artists as The Beatles, Led Zeppelin, Bob Marley, Pearl Jam and Rush, as well as documentaries on Bruce Lee and others.  

He has overseen strategy, international distribution and marketing for Abramorama’s music driven films including films from or about Paul McCartney, George Harrison, Pearl Jam, Jimi Hendrix, Green Day, Melanie Martinez, Above & Beyond, John Lydon’s Public Image Ltd., Duran Duran, and others. Saxon will continue to engage with music industry stalwarts in the United Kingdom, Nashville, New York, and Miami. The most recent music docs spearheaded by Saxon are the global release of The New York Times’ Critics Pick Have You Got It Yet? The Story of Syd Barrett and Pink Floyd, the music documentary-meets-political-thriller What the Hell Happened to Blood, Sweat and Tears? and the highly anticipated character portrait Mr. Jimmy, the story of Japanese kimono salesman turned Jimmy Page artist, who has adopted the persona of Jimmy Page.

“Evan’s knowledge of and commitment to bringing music-themed films to both targeted and broad audiences is prodigious,” said Abramowitz and Martesko-Fenster. “He’s been a great colleague and collaborator and we’re delighted that he’ll continue to forge new relationships in the global music, movie and brand partnership worlds while continuing to expand his expertise in international distribution and marketing.”

SVP, Distribution – Tom Hassell, SVP, Client Accounts / Marketing – Trish Sullivan-Rothberg, Director of Distribution & Operations – Nicki Petrone, and Director of Exhibitor Relations & Global Print Control – Jon Friedman will continue with Abramorama in expanded roles. Abramorama’s long time in-house counsel, Rob Marcus, will continue to head up all business and legal affairs for the company.

Fresh off the recent nationwide success of Oliver Stone’s Nuclear Now and Sam Green’s 32 Sounds, with its 8-week run at Film Forum, Abramorama is premiering Stephen Gyllenhaal’s documentary UnCharitable, theatrically in New York on September 22.  The film is a mind-expanding film, forcing one to reconsider the possible, featuring Dan Pallotta whose TED Talk “The Way We Think About Charity is Dead Wrong” called out the double standard that drives our broken relationships to charity.  October will see 3 films back-to-back from Abramorama premiering in theaters across the country; Justin Monroe’s award-winning entertaining art documentary Holy Frit, Josh Berman’s electrifying Full Circle, and Mathieu Rytz’s eco-thriller Deep Rising, executive produced and narrated by Jason Momoa, which premiered in Sundance 2023. 

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